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Open Access
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Divya Shikhar
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- Assistant Professor, IITM Janakpuri, New Delhi, India
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Abstract
nThis research paper explores the human-nature relationship in Ruskin Bond’s classic novel, “The Room on the Roof,” through the lens of ecocriticism. Ecocriticism, a critical theory examining literature’s portrayal of the environment, provides a valuable framework for analyzing the novel’s themes of escape, self-discovery, and the impact of human actions on the natural world. The paper analyzes the novel, demonstrating how Bond utilizes ecocriticism to depict the transformative power of nature and the yearning for a more harmonious relationship with the environment. The analysis reveals a constant contrast between the stifling confines of Mr. Harrison’s house and the beckoning beauty of the Himalayas. The middle part deepens this contrast, showcasing the regenerative power of the mountains and the potential for sustainable living practices in the Himalayas, while also highlighting the environmental impact of the bustling Dehradun bazaar. Finally, the open-ended conclusion leaves room for interpretation, emphasizing the enduring allure of nature for Rusty and the ongoing challenge of balancing human desires with ecological responsibility. By analyzing the novel’s settings, characters, and interactions with the natural world, the paper demonstrates how Bond utilizes ecocriticism to depict the transformative power of nature and the yearning for a more harmonious relationship with the environment. The analysis also sheds light on the complexities of maintaining this connection in a world with competing demands and societal expectations. Overall, the paper argues that “The Room on the Roof” serves as a valuable literary contribution to ecocritical discourse, offering a timeless exploration of the interconnectedness of humans and the natural world.
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Keywords: Ecocriticism, Ruskin Bond, Self-Discovery, Man, Nature, Coming of age
n[if 424 equals=”Regular Issue”][This article belongs to International Journal of Trends in Humanities(ijth)]
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nn[if 992 equals=”Open Access”] Full Text PDF Download[/if 992]
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References
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- Carson, Rachel. Silent Spring. Houghton Mifflin Harcourt, 2002, book
- Himanshu Kumar. “Nature and Childhood in Ruskin Bond’s Short Stories.” Creative Saplings, vol. 2, no. 08, Creative Saplings, Nov. 2023, pp. 10–21.
- Srividya, and Umadevi. “Man-Nature Relationship in Ruskin Bond’s Sequel Novel.” AdLitteram: An English Journal of International Literati, vol. 1, no. 1, Dec. 2016, pp. 18–27.
- Verma, Soniya, and Ravi Dhar. “A STUDY OF NATURE IN RUSKIN BOND’S WRITINGS.” Research Journal of English Language and Literature (RJELAL), vol. 7, no. 1, 2019, pp. 27–30.
- Mishra SK. Ruskin Bond’s The Cherry Tree: An Ecocritical Study. Daath Voyage Journal: An International Journal of Interdisciplinari Studies in English. 2018;3(2):116-22.
- Alex, Rayson K. “A Survey of the Phases of Indian Ecocriticism.” CLCWeb: Comparative Literature and Culture, vol. 16, no. 4, Purdue University (bepress), Dec. 2014.
- Wordsworth W. Preface and Appendix to Lyrical Ballads: 1800, 1802. InWordsworth’s Literary Criticism 2016 Jun 17 (pp. 68-95). Routledge.
- Tennyson, Alfred Tennyson Baron. In Memoriam. 1850, books.
- Bond, Ruskin. The Room on the Roof. Penguin UK, 1956, books
- Bond, Ruskin. The Cherry Tree. Penguin UK, 2012, books.
- Rahaman, Md. Mijanur. “Exploring Ruskin Bond’s Environment Ethics in His Selected Short Stories.” Praxis International Journal of Social Science and Literature, vol. 6, no. 9, Research Walkers, Sept. 2023, pp. 125–32.
- Govindappa. “Eco-Criticism in the Short Stories of Ruskin Bond: A Critical Study.” International Journal of Advanced Multidisciplinary Scientific Research, vol. 3, no. 6, International Journal of Advanced Multidisciplinary Scientific Research (IJAMSR), June 2020, pp. 21–30.
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| Volume | ||
| [if 424 equals=”Regular Issue”]Issue[/if 424][if 424 equals=”Special Issue”]Special Issue[/if 424] [if 424 equals=”Conference”][/if 424] | ||
| Received | April 15, 2024 | |
| Accepted | April 29, 2024 | |
| Published | May 9, 2024 |
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