Listening to Colonial Disruption: Sound, Silence, and Cultural Memory in the Works of Chinua Achebe
This article examines the significance of sound and silence in the fiction of Chinua Achebe, arguing that auditory experience functions as a crucial medium through which cultural memory, identity, and resistance are represented. Although Achebe’s novels have been extensively studied in relation to colonialism, nationalism, and language politics, comparatively little attention has been paid to their acoustic dimensions. Drawing on postcolonial theory, oral tradition studies, and cultural memory studies, this paper investigates how Achebe employs drums, songs, proverbs, ritual speech, storytelling, and communal dialogue to preserve indigenous Igbo knowledge systems. At the same time, silence emerges as a powerful narrative device that reflects alienation, psychological conflict, cultural fragmentation, and the disruptive consequences of colonial modernity.
